Monday, December 22, 2008
Thursday, September 18, 2008
Treiber Matshita Bd-mlt Uj232a
sculptures
The first movements of the popular image surfaced in England between 1950-1960.
The term "pop art" is one of the artistic and sociological phenomena that best reflected in their language and the state ideology of capitalism. The term refers to a wide range of popular images composed of advertising, television, cinema, the comic, comics, etc.., Ie the repertoire iconic urban mass culture. Viewers liked recognize common objects in the tables because that is saved the effort represented the interpretation of works of abstract expressionism, but did not understand its load of irony and ambiguity.
Pop Art elevates everyday objects to works of modern art and the coldness of alienation sets her sights on the vulgar aesthetic appeal of commodities.
Photography has been the industrial mechanical reproduction techniques chosen for this project, which is characterized by repetition and possible serialization in which Warhol and Roy Lichtenstein as depicted in many of his photographic series. The picture is no longer a role model as a medium of painting to become a process which controls the stages of mechanical development of the work.
Hollywood has been one of the classic centers of film production and therefore of characters that are associated with the industrial culture of cinema.
From a formal point of view, use the iconography of these characters, in which the work ashe wanted to highlight the influence of photography on painting can be a dialogue between reality and fiction.
As mechanical technology takes on the role of media in the reproducibility is less important work and painting as a means of simply making the process itself.
The images lose their connotations of what they represent and become objects of the work itself, everything becomes out of context and there is a detachment and aesthetic appeal only to consumer goods.
The company has not changed much since the 60's, we belong to this culture of mass media, where consumption overwhelms us and makes us away from reality by the appearance of the object and the object takes the appearance force.
The term "pop art" is one of the artistic and sociological phenomena that best reflected in their language and the state ideology of capitalism. The term refers to a wide range of popular images composed of advertising, television, cinema, the comic, comics, etc.., Ie the repertoire iconic urban mass culture. Viewers liked recognize common objects in the tables because that is saved the effort represented the interpretation of works of abstract expressionism, but did not understand its load of irony and ambiguity.
Pop Art elevates everyday objects to works of modern art and the coldness of alienation sets her sights on the vulgar aesthetic appeal of commodities.
Photography has been the industrial mechanical reproduction techniques chosen for this project, which is characterized by repetition and possible serialization in which Warhol and Roy Lichtenstein as depicted in many of his photographic series. The picture is no longer a role model as a medium of painting to become a process which controls the stages of mechanical development of the work.
Hollywood has been one of the classic centers of film production and therefore of characters that are associated with the industrial culture of cinema.
From a formal point of view, use the iconography of these characters, in which the work ashe wanted to highlight the influence of photography on painting can be a dialogue between reality and fiction.
As mechanical technology takes on the role of media in the reproducibility is less important work and painting as a means of simply making the process itself.
The images lose their connotations of what they represent and become objects of the work itself, everything becomes out of context and there is a detachment and aesthetic appeal only to consumer goods.
The company has not changed much since the 60's, we belong to this culture of mass media, where consumption overwhelms us and makes us away from reality by the appearance of the object and the object takes the appearance force.
Wednesday, June 25, 2008
Monday, June 23, 2008
Movies Translated Into Vietnamese
Another opportunity
A child is mistreated or abused when their physical and psychological safety or welfare are endangered by the actions inflicted by their parents, or people who have entrusted their care. Abuse can occur either by action, omission or negligence.
child abuse cases do not go to light and most go unreported because they do not know how to identify tell-tale signs that a child is abused, when the evidence is there, we prefer to avoid problems or make them public because they fear could turn against the child itself.
These cases should be reported and made known to social services, which identified and know how to harness the legal aspect.
also is the other side of the coin, when the institutions work for the child and care for their welfare, or simply a discrete work of anonymous people where they fight with all their forces and give their support.
I've been lucky enough to know the work of two women selflessly, Nacha Marga and his dedication to give love to these children is very rewarding for them.
The documentation collected, and photos of the surroundings have been the beginning of this project.
This has been a big help their stories and experiences of the cases that have gone through your house. Always discreet, we have safeguarded the identity of the children but not their situations, as the severity of some published in newspapers.
The workplace and the family is important in the development of their lives, to have tried it at all times provide the familiar warmth which lacked when they arrived.
In the new house all exert their role symbolically, breast, los hermanos, los abuelos, tíos, primos, todos ellos se implican para hacer sus vidas más agradables.
En mi trabajo estos elementos los he querido simbolizar también, por medio de manos tendidas que cogen o agarran. El espacio lo he dividido por colores, signos y líneas, de esta manera hago una reflexión al lugar de donde vienen y hacia donde van.
La simbología que utilizo en los colores, marcan las emociones. El rojo, es color dominante, representa a los sentimientos, vitalmente positivo, y es la fuerza de la vida. El negro como ausencia de luz y silencio sin futuro. El blanco es la luz y el inicio de de esperanza, por lo tanto es el final del mal. 
A child is mistreated or abused when their physical and psychological safety or welfare are endangered by the actions inflicted by their parents, or people who have entrusted their care. Abuse can occur either by action, omission or negligence.
child abuse cases do not go to light and most go unreported because they do not know how to identify tell-tale signs that a child is abused, when the evidence is there, we prefer to avoid problems or make them public because they fear could turn against the child itself.
These cases should be reported and made known to social services, which identified and know how to harness the legal aspect.
also is the other side of the coin, when the institutions work for the child and care for their welfare, or simply a discrete work of anonymous people where they fight with all their forces and give their support.
I've been lucky enough to know the work of two women selflessly, Nacha Marga and his dedication to give love to these children is very rewarding for them.
The documentation collected, and photos of the surroundings have been the beginning of this project.
This has been a big help their stories and experiences of the cases that have gone through your house. Always discreet, we have safeguarded the identity of the children but not their situations, as the severity of some published in newspapers.
The workplace and the family is important in the development of their lives, to have tried it at all times provide the familiar warmth which lacked when they arrived.
In the new house all exert their role symbolically, breast, los hermanos, los abuelos, tíos, primos, todos ellos se implican para hacer sus vidas más agradables.
En mi trabajo estos elementos los he querido simbolizar también, por medio de manos tendidas que cogen o agarran. El espacio lo he dividido por colores, signos y líneas, de esta manera hago una reflexión al lugar de donde vienen y hacia donde van.
La simbología que utilizo en los colores, marcan las emociones. El rojo, es color dominante, representa a los sentimientos, vitalmente positivo, y es la fuerza de la vida. El negro como ausencia de luz y silencio sin futuro. El blanco es la luz y el inicio de de esperanza, por lo tanto es el final del mal.
Tuesday, June 10, 2008
Chronotherm Iv Plus How Do I Use It
Chance starring
En el arte no sólo is important to know how to paint but mostly able to express themselves and make a personal contribution.
Every artist before considering what you are doing, must inevitably investigate the matter, color, composition, textures and especially the end make a analysis of what they want to convey to those who view their work.
The iconography that I represent in my work is taken from photographs or images already represented by other artists are not picked at random, try to find an attraction, try to give a new freshness in a different look.
Although the patch appears uncertain and insecure sometimes with reservations always takes you to the departure, is a freedom of action, pero con una sola dirección, un solo proyecto, una idea, una ilusión siempre para compartir contigo.
Utilizo varias técnicas como: el óleo y el acrílico, aunque sus acabados son distintos están unidas en la intención, ya que me permiten jugar con el color y la mancha.
Para mi el dibujo es importante, el carbón como protagonista a veces rescato la imagen cuando parece perderse.
El componente azar es el más divertido en mi trabajo, ya que me permite experimentar buscando esa sorpresa que tiene el agua al serpentear sobre la tela sin dirección aparente y del cual a veces se convierte en satisfacción.
Como muchos artistas a veces la imágen y su parecido the natural does not become so important, is what allows us to search and research to bring new pictorial forms of representation.
These works are the beginning and a great adventure that I hope will be nice for the beholder and there is no greater joy for an artist like getting a few seconds of emotion behind a look. 
En el arte no sólo is important to know how to paint but mostly able to express themselves and make a personal contribution.
Every artist before considering what you are doing, must inevitably investigate the matter, color, composition, textures and especially the end make a analysis of what they want to convey to those who view their work.
The iconography that I represent in my work is taken from photographs or images already represented by other artists are not picked at random, try to find an attraction, try to give a new freshness in a different look.
Although the patch appears uncertain and insecure sometimes with reservations always takes you to the departure, is a freedom of action, pero con una sola dirección, un solo proyecto, una idea, una ilusión siempre para compartir contigo.
Utilizo varias técnicas como: el óleo y el acrílico, aunque sus acabados son distintos están unidas en la intención, ya que me permiten jugar con el color y la mancha.
Para mi el dibujo es importante, el carbón como protagonista a veces rescato la imagen cuando parece perderse.
El componente azar es el más divertido en mi trabajo, ya que me permite experimentar buscando esa sorpresa que tiene el agua al serpentear sobre la tela sin dirección aparente y del cual a veces se convierte en satisfacción.
Como muchos artistas a veces la imágen y su parecido the natural does not become so important, is what allows us to search and research to bring new pictorial forms of representation.
These works are the beginning and a great adventure that I hope will be nice for the beholder and there is no greater joy for an artist like getting a few seconds of emotion behind a look.
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